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A FIENDISH ADVERTISING PROBLEM
INTA Daily News
The new clothes brand campaign would
be “dynamite” in the style world: Inter-Galactic Apparel
was launching a range of fashionable clothes for 18 to 49
year-olds, available next week. The range was called
“Fiends” and featured actors, images and lines that would
be familiar to viewers of a well-known TV series.
“You said it was dynamite and it
is,” said Carl Rohsler of Hammonds, one of two lawyers who
reviewed the hypothetical campaign which was unveiled in a
session titled "It Pays to Advertise" on May 4, 2004
in the Marriott Imperial Ballroom. Among the explosive issues
the campaign threw up were questions of copyright and trademark
infringement, personality rights, passing off and comparative
advertising.
The panel started with Inter-Galactic
Apparel creative director – played by Allan Feldman of LCMA
– showing the panelists his proposed advertising campaign. It
featured the actors Matthew Perry and Courteney Cox, as well as
a coffee house that seemed to resemble Central Perk in the TV
series Friends, and pictures of Manhattan. The Fiends logo also
looked familiar.
As if that wasn’t enough, the
campaign featured a derogatory reference to a rival clothes
brand with the tag line “In a stylish world – it’s not
hard to spot the Gap.”
Although the hypothetical campaign
had agreed contracts with the actors, it had no license or
permission from the maker of Friends, Warner Bros. There were
therefore serious risks of an injunction for trademark and
copyright infringement, said Brenda L. Pritchard of Gowling
Lafleur Henderson in Canada: “Individually the references may
be all right, but altogether they are not.”
Under some countries’ laws, using
pictures of Manhattan streets could also potentially infringe
the privacy rights of any people depicted. And the images of
the coffee shop, the arrangement of furniture and its name
could all be protected under national copyright law in some
jurisdictions.
In addition, even if the actors have
agreed to have their images used, any references to the
characters they play could infringe the rights of the
program’s producer. Rohsler commented that using one or two
actors from a TV program out of character would normally be
acceptable, but using more than that could suggest the
program’s endorsement.
The use of the name Fiends, and some
other aspects of the advertising, could be justifiable as
parody in some countries. Rohsler pointed out that both Germany
and France have copyright laws that permit parody, but added:
“U.K. law does not seem to have a sense of humor on
parody.”
Other issues discussed included
whether the reference to Gap amounted to comparative
advertising, and when it is permissible to use the word
“new” in promotions: in the United States, “new” can
only be used for six months after the product’s launch.
The panel also considered a
contingency campaign that did not refer to the TV program in
any way, and used the phrase “fiendishly stylish” to
justify the choice of the name. “It’s kind of dull but
safe,” said Rohsler.
A third campaign was a compromise
that included Matthew Perry, clearly identified in his own
right, and made use of the “fiendishly stylish” tag line.
But all other references to Friends were removed. The panel
thought that this would probably be acceptable before courts
and advertising regulators in the United States, Canada and
Europe.
Rohsler acknowledged that the facts
of the case study were “far-fetched” but added that similar
issues regularly arise in the real world. Indeed, a European
airline, easyJet, has recently been running a campaign using
the name of another popular TV series, Sex And The City, to
promote its flights.
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