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SKY IS THE LIMIT FOR STARS' RIGHTS
INTA Daily News
The next few years will see a “paradigm
shift” in the way celebrities are seen and
their images exploited, according to CMG
Worldwide Chairman and CEO Mark Roesler.
Giving the INTA keynote address, titled ‘You
Ain’t Seen Nothin’ Yet,’ in the Convention
Center yesterday evening, Roesler described
how changes in entertainment and technology
mean celebrities can now be brought to life in
new ways, be given new images or voices, and
even gain a life beyond death. “A whole new
definition of career has developed,” he said,
adding that it is through IP rights that such
careers are protected. “The concept of a career
has rapidly evolved as a result of these IP
rights,” said Roesler.
Roesler illustrated his talk with examples of
dead celebrities’ images being used in advertising,
such as Gene Kelly performing ‘Singin’ In
The Rain’ in a car advert and a range of
Hollywood and music stars appearing in a Diet
Coke advertisement.
Advances in technology will dramatically
increase the opportunities to use dead celebrities
in entertainment. A few years ago, Nat King
Cole’s voice was added to his daughter Natalie
Cole’s performance of the song ‘Unforgettable.’
But, with today’s technology, said Roesler, “Nat
King Cole himself would be able to do the
whole recording.”
In a show of hands, half of the Convention
Center audience did not recognize which of two
scenes from the film ‘Gladiator’ used a computer-generated version of actor Oliver Reed, who
had died unexpectedly during the filming.
In the early days of cinema, there was no
concept of stars. “The industry feared performers
might want additional reward for their
work. They were right,” said Roesler. Things
soon changed. Among early proponents of
stars’ rights were silent movie actors Mary
Pickford, Douglas Fairbanks, and Charlie
Chaplin. By the time of Bacall and Bogart,
stars’ names preceded the film – an indication
of their appeal to audiences. Today, another
revolution is happening.
The entertainment industry, including advertising,
books, music, movies, video games and
TV, is now America’s biggest sector, with a gross
annual product of $125 trillion. Much of that
value lies in the power of celebrities, and marketing
dead personalities has become a large
industry: the intangible rights to Elvis Presley
were recently sold for more than $100 million.
There is great scope for exploiting dead
celebrities. Already, computer-generated imaging
and voice modeling can bring authentic performances
to advertisements, video games and
films while converging wireless and Internet
technologies enable rapid and wide distribution.
Soon, technology such as smart clothing, which
combines electronics and textiles to provide
inbuilt entertainment opportunities, will extend
that power even further.
“Nobody thought celebrities’ rights could
last beyond their lifetime. But IP rights do survive,”
said Roesler. “We have to address and
resolve the uncertainty this brings.” He
explained that US trademark law can protect
assets such as images, signatures and names,
while the right of publicity exists in more than
30 states, and 19 states protect publicity by
statute. In Tennessee, the right of publicity can
last forever, provided there is continued use.
Roesler said that other countries which provide
some protection for celebrities, either
through rights of publicity, unfair competition
or other laws, include the UK, France, Italy,
Brazil, Canada, Germany, South Korea, and
Japan. Noting the moves towards international
harmonization in other areas of IP law, Roesler
said: “Perhaps the right of publicity will receive
similar treatment.”
The life-beyond-death revolution poses challenges
for all involved in protecting and exploiting
celebrities’ rights: how do you decide what
dead celebrities would have wanted or how they
would want their image exploited? Said Roesler:
“It is our responsibility now – artists, managers,
all of us as legal representatives.”
Roesler concluded with a moving tribute to
James Dean, one of his clients, who – like
Roesler – was born in Indiana. He quoted
Dean’s eerily prescient comment: “If a man
can … live on after he has died then he was a
great man.”.
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